Skills
Sewing: 30+ years
PiecE-work: 2+ years
Pattern-making: Intermediate
Machine operation and simple maintenance
Playscript analysis and dramaturgy
Drawing/Sketching
Wig Design/Maintenance
Set Design
Effective Time Management Skills
Multitasking Skills
Effective Communication
A long performance career before transitioning to work behind the scenes has provided a great deal of insight and empathy for designing meaningful work with compassion for its planet & makers.
Costume Design & Related
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by Kelly Trumbull
The New Hazlett Theatre Community Supported Art (CSA), 2023
Role: Costume DesignerThe year is 1999 and the Morning Reckoning fan club is in full swing. Tensions run high as the group navigates the rough waters of 8th grade, and everything must go according to Kandace’s plan for the Morning Reckoning concert. But when Kandace starts to lose control, things go sour, and teenage drama reigns. Join us for Kelly Trumbull’s new play that’s sure to be a wild ride down memory lane!
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by Vida Chai
The New Hazlett Theatre Community Supported Art (CSA), 2022
Role: DirectorDirected Somewhere Strange by Vida Chai as part of the Community Supported Art (CSA) Performance Series. Other responsibilities included production design, concept sketching, and Scenic Design Mentor.
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by Bailey Lee
The New Hazlett Theater (CSA Performance Series), 2022
Role: Costume & Production DesignerResponsible for full concept design including set design, construction design, costuming and puppetry.
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by F3ralcat
The New Hazlett Theatre Community Supported Art (CSA) Performance Series, 2022
Role: Costume & Production DesignerWork included custom costume design for individual band members. Also assisted in the incorporation of a multimedia component for the show.
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by Monteze Freeland
The New Hazlett Theatre Community Supported Art (CSA) Performance Series, 2021
Role: Costume DesignerDeveloped concept and responsible for sourcing and designing costumes for a full-scale musical. Work also included developing the original design and costuming presentation.
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by Tlaloc Rivas
The New Hazlett Theatre Community Supported Art (CSA) Performance Series, 2020
Role: Costume DesignerHistorical period piece set in The Bronx in the 1970s. Researched and developed costume concepts, and sourced costumes.
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ELL GEE
Role: Owner, 2018-2020Conceptualized, designed, and executed all aspects of a handbag line created from designer vinyl samples, redirecting useable goods from the landfill into a desirable, durable accessory sold online, at markets, and in brick-and-mortar stores.
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Item descriptionThe Curb Center at Vanderbilt University, 2018
Divined and lead a two session team workshop for students around sustainable fashion and creative reuse that culminated in finished garments with central themes focused on social change.
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Vanderbilt University, 2018
Developed and facilitated a two session workshop on-site to engage 50 staff members and educators in creative practices focused on mindfulness through making with reuse materials.
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Walk/Bike Nashville, 2017
Proposed, prepared, and executed a bicycle bag sewing project that utilized reuse materials and created a dynamic opportunity to expand attendees’ sewing techniques while building community and a unexpected platform for outreach.
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Organization: Turnip Green Creative Reuse, 2014-2018
Role: Organizer/PresenterIgnited creativity with inventive guided projects for children and adults in libraries, community festivals, and schools focusing on reusable materials, commonly discarded goods, and sustainability.
Learning
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2023
w/ Tom Pearson & Third Rail Projects“Spring is here, and with it, our own opportunities to bring new ideas into the light. This series is a deep-dive into creative practice and art-making with an emphasis on generating original material that puts our audiences/participants at the center of the work we create. We will explore methods that support immersive ideation as well as other participant-centered endeavors. For four weeks, we will concentrate on different aspects of the creative process and how to build and sustain a practice that not only nurtures and causes us to thrive in our generative work but also helps us plan for creativity, hold space for it, and center it in our daily lives. A performance or art background is not required, and these gatherings are open to anyone who wishes to work, play, and learn more about creative techniques and design. Since there is a light cumulative aspect to the series, participants are encouraged to join for all four; however, a single workshop rate is available.”
https://tompearsonnyc.comhttps://thirdrailprojects.com
Performing Against the Climate Catastrophe, 2023
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2023
Cambridge University Press
The Drama Review's Richard Schechner (he/him/his)
https://www.cambridge.orgClimate change is a crisis not only of not knowing what to do, but of not even knowing how to comprehend the condition itself. It is a crisis, in other words, that calls for urgent action and urgent reflection, both in previously unconsidered ways. How to perform the not-yet-performed? How to think the not-yet-thought? This webinar explores climate change and performance by bringing together an international collection of artists, activists, and academics. Together, we will wrestle with the question of what our collective, but by no means evenly distributed, climate catastrophewill mean for art and politics in the coming years.
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2022
Arts & Climate Initiative
Aaluk Edwardson (She/Her/Hers)
https://artsandclimate.orgA three-part workshop on culture, climate, and cultivating joy amid chaos focusing on cultural identity and the lens through which we each see the world. Participants will engage with the Creative Decolonization process, a unique practice developed by Aaluk. Research, creative engagement, and self-reflective prompts will support participants' evolving understanding of their selves.
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2022
Peoples Hub
Ngozi Alston (She/Her/Hers)
https://www.peopleshub.org -
2022
Shira Helena Gitlin (They/Them/Theirs)
https://www.shirahelenagitlin.com
Utilizing eco-friendly resources such as reuse, second-hand materials, and recyclable raw goods is important to my work; ensuring emotional impact while minimizing environmental impact. I’ve worked on projects large and small, from small passion projects with peers to music videos for Grammy-Award winning artists. I am detail oriented, quick to learn, curious and flexible. From customizing thrifted ready-to-wear clothing through color manipulation and tailoring to de- or re-construction of garments to tell the passing of time to creating one-of-a-kind wearable sculpture from trash. I am happy to creatively solve whatever problem is at hand.
Art Director
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2017
Artist: Cage the Elephant
Project Type: Music Video
Role: Art DirectorI worked closely with Lead Singer and Director Matt Shultz from the Grammy Award Winning Cage the Elephant on delivering a dynamic aesthetic design for the internationally released music video COLD COLD COLD. I assembled, sourced, constructed, and delivered specifically requested set pieces and lead the team of three department heads during production to execute concept on set, creating a vintage, monochromatic cult-like vibe that paired perfectly with the grungy rock vibes they were looking for.
Responsibilities:Spearheaded dynamic aesthetic design for internationally released music video.
Assembled, constructed, and delivered specifically requested set pieces.
Guided team of three department heads to execute concept on set.
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2017
Artist: Audrey Assad
Project Type: EPK
Role: Art DirectorAudrey Assad, Album Art, 2017
Translated conceptual essence into a five piece wardrobe and two comprehensive set designs.
Designed and executed original sewing patterns, alterations, and finishing for entirely bespoke articles.
Spearheaded creative problem-solving for a portable positionable living greenery wall and large-scale velvet environment.
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2016
Artist: SaraBeth GO!
Project Type: Music Video
Role: Art DirectorEstablished innovative visual concept for production.
Constructed multiple large scale, hand-painted one-of-a-kind wearable art pieces for performers.
Handled execution, construction, and day-of organization for shoot.
Recognition
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APIS: A New Play
New Hazlett Theatre Community Supported Art (CSA) Program
Season 11 Artist: APIS (Learn More)Core 77 Design Awards (Learn More)
Imagination is a Commons
United Nations Development Programme
Honoree: Stuart Candy & Ceda Verbakel
Role: Garment Co-Design & Construction
https://designawards.core77.com -
BROADWAY WORLD
Best Scenic Design of a Play or Musical - PAPA, 2022
Best Scenic Design of a Play or Musical - DISSASSEMBLY, 2022 -
2024
APIS at The New Hazlett Theater, Pittsburgh, PA
Voice of the Arts
Saturday Light Brigade
Resources
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ECOSIA SEARCH ENGINE is a Berlin-based search engine that donates 80% of its profits to tree-planting organizations around the globe. Learn more.
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Gender Bias Decoder
”Maybe one of the jobs listed above is your dream role. You’re motivated, you’re experienced, but you don’t meet all requirements. What do you do? Research based on binary gender data tells us that women only apply for jobs when they think they meet 100% of the criteria, whilst men apply when they meet 60%. As a result, women apply to 20% fewer jobs than men.”Earthsight is a non-profit organisation (SIC) that uses in-depth investigations to expose environmental and social crime, injustice and the links to global consumption.
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PRINTING:
JakPrints (Columbus, OH)
Conquest Graphics (Richmond, VA)
Greener Printer (Point Richmond, CA) - Certified BCorp -
Coming Soon